by W. Truman Hosner

The following is a letter from W. Truman Hosner to the PSWC written in 2015. It is timeless and timely since we are back at the Haggin this year, so we share it here.

Dear PSWC,

     I extend a sincere note of appreciation to everyone at PSWC who worked so diligently to create the Pastels USA Exhibition at the Haggin Museum in Stockton and to award juror Terri Ford for what must have been a difficult task considering the broad quality level of the work displayed. It was my honor to be accepted into an exhibition of work in a medium that I have loved and used exclusively for nearly 25 years and an even further honor to be among the award recipients.

On my “red-eye” flight into San Francisco from Detroit, I reflected on the world of pastel and how much it has evolved in those 25 years, in a large way thanks to PSWC. 

Yet upon my arrival, when I found in the Haggin Museum’s permanent collection a vivid pastel by William Merrit Chase, more alive today than ever, I was reminded of a statement by Pablo Picasso. 

Picasso said; “Art does not evolve by itself, the ideas of people change and with them their mode of expression.”

I thought what I was experiencing in the current PSWC exhibition at the Haggin was not an evolution of the medium of pastel, but rather an evolution of the thinking of the artists using it. Pastel in and of itself has always been a mature art form and we need only look back on the work of artists like Chase to realize it. 

At the PSWC exhibit I found a group of living artists who no longer should be labeled as “pastelists”. Now they must only be properly considered in a framework of; “painters”-who chose to work in pastel.

In their work is a thinking that has evolved. They use pastel to give significance to the subjects they choose. With the language of pastel they best express their joy of the unexpected, their pleasure of discovery, and their spirits stand ajar to the possibilities of the universe.

Painting will always be more a manner of thinking than a matter of medium.

In conclusion I will share a humorous story about pastel:

I couple of years back I attended a plein air event in southern Indiana. In attendance were a number of “heavy-hitters” from the oil-painting world, very nice fellows I might add. For two evenings in a row at dinner one particular gentleman made a point of quite vociferously asking me in front of his associates, “How are your charcoalscoming?” I patiently bit my tongue by always politely replying; “Quite well, thank you.”

Finally on the third evening, when he once again asked his question, one of his associates gave me my opportunity by joining in and asking: “So, Hosner why don’t you work in oils?” 

I slowly looked around the table at my new friends and smiled, and said: “Gentleman . . . why would I want to work in a lesser medium?”

There was a hardy laugh all around, and we all walked away that evening a bit closer.

This week I will be writing a letter of gratitude to Plein Air Magazine thanking them for their contribution of a Full-Page Ad as an award.

Again, -many thanks to PSWC for an exceptional exhibition!

Respectfully,                                                                                     

W. Truman Hosner

© 2015. www.wtrumanhosner.com

About the Author pswc

Pastel Society of the west Coast is a members only art society dedicated to promoting and inmproving pastels arts.

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